I’m the First And Only Woman Officially Drafted By the N.B.A. | ‘Almost Famous’ by Op-Docs

As a child growing up in rural Mississippi, Lusia “Lucy” Harris often stayed up past her bedtime watching her favorite N.B.A. players, dreaming of one day playing on the same courts. Reaching 6 feet 3 inches by the time she was in high school, Harris was often called “long and tall and that’s all” by her classmates — but she knew her height would be an asset on the court. And she wasn’t just tall enough to play the game. She was a rare talent who would go on to be a three-time national college champion and an Olympic silver medalist, making her a national sensation by the time she finished her college career.

For an electrifying young basketball player on the national stage, success often comes with a lucrative professional contract and brand deals — but Harris’s moment came in the 1970s, decades before the W.N.B.A. was founded, when few opportunities were available to female athletes interested in pursuing a professional career. In Ben Proudfoot’s “The Queen of Basketball,” Harris tells the story of what happens when an unstoppable talent runs out of games to win.

See more of “Almost Famous:” https://nyti.ms/2EuGTsK

Credits
Director: Ben Proudfoot
Editors: Stephanie Owens, Ben Proudfoot
Featuring: Lusia “Lucy” Harris
Producers: Elizabeth Brooke, Abby Lynn Kang Davis, Gabriel Berk Godoi, Ben Proudfoot, Brandon Somerhalder, Sarah Stewart
Cinematographer: Brandon Somerhalder
Original Score Composed and Orchestrated by: Nicholas Jacobson-Larson
Co-Producer: Jeremy Lambert
Supervising Sound Editor and Re-Recording Mixer: Sean Higgins
Colorist: Stephen Derluguian
Post Production Supervisors: Dillon Brown, Laura Carlson
Additional Editing: Mónica Salazar, Nick Garnham Wright
Assistant Editor: Cody Wilson
Sound Effects Editor: T.J. Jacques
Second Unit Cinematographer: Haley Watson
Additional Music and Mixing: Erik Kertes
Musicians: Loren Battley, Nicholas Jacobson-Larson, Erik Kertes, Garth Neustadter
Archival Digitization: Hannah Auslander, Melanie Lim
Archival Research: Laura Jespersen
Story Reported by: Haley Watson

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Op-Docs is the New York Times’ award-winning series of short documentaries by independent filmmakers. Learn more about Op-Docs and how to submit to the series. Follow The New York Times Opinion section on Facebook, Twitter and Instagram (@NYTopinion).

“We’re Out of Time”

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The inimitable and ineffable Lionel Nation and his bluegrass trio Lock ‘n Load storm the stage of the storied @CuttingRoomNYC Saturday night, August 21, 2021 at 7 PM. Prepare yourself for an evening of naked truth and the immaculate twang of Mother Bluegrass. Hie!

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Truth warriors and verity sentries, the primary political focus of this channel initially pivoted decidedly towards the 2020 “election.” And how couldn’t it? The CV1984 claptrap is prolix and dutiful and woke heteroclite psephologists are now zeroing attention to address the incomprehensible (now) reality: a Joe Biden presidency. That simple. And I’ve (again) one focus, scilicet unabashed unvarnished naked truth. Join us. Mother America is under attack ideologically and spiritually by an enemy determined to destroy Her foundation and essential principles. This is an existential fight and as such requires the commitment of a new centurion, a heteroclite truth warrior committed to protecting our constitutional republic. But it’s a new war and anew enemy. Political left and right is dead. Liberal versus conservative might have made since during the Reagan epoch but not now.

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Talking with Biden Voters 😂

People who voted for Joe Biden reveal how clueless they are about him when asked basic questions about him.

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JET FIGHTER Scrambles UFO! The Pentagon Is Not Showing You This UAP? 2021

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