Watch Kristen Stewart Embody Princess Diana in ‘Spencer’ | Anatomy of a Scene

A dinner with the royal family becomes a hallucinatory nightmare in this scene from “Spencer,” starring Kristen Stewart as Princess Diana.

Diana is late to join a formal dinner and arrives in a somewhat agitated state. The scene plays without dialogue and is scored with string music from the composer Jonny Greenwood that grows ever more anxious as the dinner progresses.

Narrating the sequence, the director Pablo Larraín discusses some of his techniques for heightening the mood. He said that he had asked Stewart not to go onto the set until they were ready to shoot, so that when she enters, it would be her first time seeing the rest of the cast in place at the table.

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Truth warriors and verity sentries, the primary political focus of this channel initially pivoted decidedly towards the 2020 “election.” And how couldn’t it? The CV1984 claptrap is prolix and dutiful and woke heteroclite psephologists are now zeroing attention to address the incomprehensible (now) reality: a Joe Biden presidency. That simple. And I’ve (again) one focus, scilicet unabashed unvarnished naked truth. Join us. Mother America is under attack ideologically and spiritually by an enemy determined to destroy Her foundation and essential principles. This is an existential fight and as such requires the commitment of a new centurion, a heteroclite truth warrior committed to protecting our constitutional republic. But it’s a new war and anew enemy. Political left and right is dead. Liberal versus conservative might have made since during the Reagan epoch but not now.

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Mark Dice is an independent media analyst and bestselling author of “Hollywood Propaganda: How TV, Movies, and Music Shape Our Culture.” He has a bachelor’s degree in Communication from California State University and was the first conservative YouTuber to reach 1 million subscribers (in 2017).

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JOBS FOR ALL! – How Is Work Working for You? | Op-Docs

Last year, during a pandemic that endangered and disrupted the global work force, Sweden’s public broadcaster Sveriges Television AB asked us, Maximilien Van Aertryck and Axel Danielson, to make a film about work. We were given unfettered access to its visual archives, studying the way work has been portrayed and discussed in the modern age.

While making “JOBS FOR ALL!,” we began to ask ourselves questions about how work works today. As you may have seen in our previous Op-Doc, “Ten Meter Tower,” we’re filmmakers interested in human nature, examining how and why we do what we do.

Here, we ask whether we work to live or live to work. Can we achieve true democracy without considering economic democracy? Can economic growth and value be achieved only by exploiting the work of many to create value for the few?

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