Day: April 29, 2022

Leaked, Star Gates, Traversable Wormholes, Time Machines, Real Secret Space Programs, FOIA Docs

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Traversable Wormholes, Star Gates & Negative Energy
https://s3.documentcloud.org/documents/21651241/dird_18-dird_traversible_wormholes_stargates_and_negative_energy.pdf

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Xisuthrus aka Noah Ascended to the Gods After The Deluge, They Buried This Story Thousands of Years

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Ancient Architecture: Stonehenge, Gobekli Tepe and Karahan Tepe

Ancient Architecture Volume 3: Stonehenge, Gobekli Tepe and Karahan Tepe

#Stonehenge – For centuries, historians and archaeologists have puzzled over the many mysteries of Stonehenge, the prehistoric monument that took Neolithic builders an estimated 1,500 years to erect. Located in southern England, it is comprised of roughly 100 massive upright stones placed in a circular layout.

#Gobekli Tepe – Göbekli Tepe is an archaeological site and multi-phase tell, which is one of the oldest known Mesolithic structures, located in the South-eastern Anatolia Region of Turkey. The main structures identified have been dated to the Pre-Pottery Neolithic period from around the 10th millennium BC, with further remains of smaller buildings to the 9th millennium BC.

#Karahan Tepe – Archaeologists have been working at the Karahan Tepe site, which is often called the sister site of Göbekli Tepe , since 1997. The site is located roughly 35 kilometers east of Göbekli Tepe and is now considered part of a constellation of contemporaneous settlements that extends over 100km and includes at least 11 other unexcavated sites. The 11,400-year-old monumental site, which is about 200 years younger than Gobekli, is one of the world’s oldest villages, challenging the prevailing science on when and why humankind first settled down.

This series is intended to be an ‘introductory’ and cursory review of these locations. For more detailed treatments please reference the links below:

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Watch Alexander Skarsgard Battle the Undead in ‘The Northman’ | Anatomy of a Scene

A quiet moonlit scene turns into a rousing fierce fight with an undead mound dweller in this scene from “The Northman.”

Amleth (Alexander Skarsgard), the Northman of the title, is seeking to avenge his father’s death. But he requires a special sword that he must retrieve from a burial mound. He’ll just need to pry the weapon from the hands of the mound dweller buried there. Oh, and fight that undead figure when he is roused.

Discussing the scene, the director Robert Eggers said that the barely visible moonlit shots in the film “are almost black and white, to the point where I wonder if my D.P. and I made a mistake,” he said, referring to the director of photography, Eggers’s longtime collaborator Jarin Blaschke. The stark glimmers of these moments are based on time Blaschke spent in remote parts of Africa, far from any light pollution. The images are enhanced by an ashen coloring the costume designer and production designer put on the clothing and set to enhance the visuals.

Much of the fight with Skarsgard (6-foot-4) and Ian Whyte (7-foot-1) was shot in a vertically roomy space in long, unbroken takes. It became a way to help audiences be “more immersed in the fight,” he said. “And it’s also easier to follow each beat of the fight as a story.”

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