Day: August 14, 2019

Epic of Gilgamesh 1- The Coming of Enkidu

“The Epic of Gilgamesh” is an epic poem from ancient Mesopotamia and among the earliest known literary writings in the world. It originated as a series of Sumerian legends and poems in cuneiform script dating back to the early 3rd or late 2nd millenium BCE, which were later gathered into a longer Akkadian poem (the most complete version existing today, preserved on 12 clay tablets, dates from the 12th to 10th Century BCE).

It follows the story of Gilgamesh, the hero-king of Uruk, and his half-wild friend, Enkidu, as they undertake a series of dangerous quests and adventures, and then Gilgamesh’s search for the secret of immortality after the death of his friend. It also includes the story of a great flood very similar to the story of Noah in “The Bible” and elsewhere.

The presentation is a prose version first written by NK Sanders.

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You won’t believe the latest developments in the Jeffrey Epstein case – screaming arguments the morning of his death, sleeping guards falsifying records – and mysteriously missing pictures of rampant criminals!

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https://www.byrdie.com/the-power-of-lipstick

https://www.independent.co.uk/news/world/americas/jeffrey-epstein-death-cause-latest-cell-guard-shouting-prison-a9055931.html

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Deepfakes: Is This Video Even Real? | NYT Opinion

In the video Op-Ed above, Claire Wardle responds to growing alarm around “deepfakes” — seemingly realistic videos generated by artificial intelligence. First seen on Reddit with pornographic videos doctored to feature the faces of female celebrities, deepfakes were made popular in 2018 by a fake public service announcement featuring former President Barack Obama. Words and faces can now be almost seamlessly superimposed. The result: We can no longer trust our eyes.

In June, the House Intelligence Committee convened a hearing on the threat deepfakes pose to national security. And platforms like Facebook, YouTube and Twitter are contemplating whether, and how, to address this new disinformation format. It’s a conversation gaining urgency in the lead-up to the 2020 election.

Yet deepfakes are no more scary than their predecessors, “shallowfakes,” which use far more accessible editing tools to slow down, speed up, omit or otherwise manipulate context. The real danger of fakes — deep or shallow — is that their very existence creates a world in which almost everything can be dismissed as false.

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