Videos and photos reveal remnants of at least three U.S.-made GBU-39 bombs at the site of an April 28 attack. The strike killed 68 African migrants, according to the Houthis, a militant group that controls northern Yemen.
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The effect of Israel’s total siege on Gaza has become catastrophic, doctors say. Shortages of food, water and medicine are prompting a surge of preventable illnesses, and deaths. #gaza #israel
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Whether it’s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It’s all the news that’s fit to watch.
Film and text by Pete Quandt: Prison waiting rooms are not warm places. For young children especially, visiting an incarcerated parent is often as traumatic as it is therapeutic. It’s an experience filled with long waits, intimidating security measures and tight restrictions on the visit’s duration.
Having had a family member incarcerated for over a decade, I’ve seen the toll that prolonged separation has on women and their children. I’ve made many long drives to prisons and witnessed the limitations that traditional visitation offers. I know that even as visiting means maintaining an emotional bond, it can make you feel isolated and emotionally confused.
That’s what makes the program featured in our film above so rare. Here, a reunification house in Goochland County allows women and their children to experience a full day together in a warmer environment than traditional visitation. Beginning in late 2022, the house has allowed a rotating cohort of women to spend time with their children over multiple visitations.
In this somewhat surreal setting, our short film “Weekend Visits” aims to witness the emotional spectrum of excitement, tension, confusion and love between two people who care about each other deeply but who are learning what it means to be parent and child again.
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Whether it’s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It’s all the news that’s fit to watch.
Israel’s military said it was reacting to an immediate threat when it killed 15 medics and first responders in Gaza in March. But eyewitness accounts and an analysis of videos, audio and autopsy reports show that multiple soldiers fired over the course of six minutes at unarmed emergency workers who never posed a threat.
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Whether it’s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It’s all the news that’s fit to watch.
Viewers might not expect to see a DJ at a turntable in Ryan Coogler’s 1930s-set horror movie “Sinners,” but in this sequence, the history and future of music collide.
This sequence takes place in a juke joint opened by the twins Smoke and Stack (both played by Michael B. Jordan). Playing for the crowd is Sammie Moore (Miles Caton), performing a song that was written by Raphael Saadiq and the film’s composer, Ludwig Goransson.
“Rafael is from Oakland, kind of a local legend where I’m from,” Coogler said, narrating the moment.
The scene starts with Caton’s impressive vocals, while cutting to shots of both Smoke and Stack, as well as other characters in the sequence. “We wanted to use Michael Shawver’s editing skills to establish where everybody is and what their stakes are,” Coogler said.
Once all is laid out, the scene flashes back to a conversation between Sammie and another musician, Delta Slim (Delroy Lindo), who explains Sammie’s skill for the blues and the responsibility that comes with his talent.
“Blues, it wasn’t forced on us like that religion,” Delta says. “No, son. We brought this with us from home. It’s magic, what we do. It’s sacred and big.”
As the scene returns to the juke joint, we hear a voice-over from Annie (Wunmi Mosaku), a conjure woman. She says that some musicians have the gift to make music so powerful, it can conjure spirits from the past and the future. At this point, in an ambitious tracking shot, various eras of musicians appear in the frame, including an electric guitarist and the D.J. at the turntable.
“We wanted to do it in a fluid, continuous take,” Coogler said. New music elements continue to be introduced along with new forms of dance.
“Aakomon Jones, our choreographer, is changing choreography ever so slightly so that folks still feel like they’re in their time, but also outside of it as we get more and more heightened in this moment,” Coogler said.
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Whether it’s reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It’s all the news that’s fit to watch.